At that time, film was put under the supervision of the Minister of Information, which was known as the regime’s “architect of propaganda and control” (Nugroho & Herlina S., 2015). As a result, horror movies produced during the regime can be seen as a reflection of the government’s propaganda efforts to maintain social order and control.Ĭinema was deemed crucial by the New Order regime, which was led by the late dictator Soeharto, as a political tool to influence a wide range of people, and, thus, strict rules were enforced regarding its content. Religious figures, in particular, were often presented as hero at the end of a story in line with the government’s guidelines for filmmakers to guard the nation’s moral values and promote devotion to God. ![]() ![]() Religion was one of the main ingredients for Indonesian horror films during the authoritarian New Order regime (1966-1998).
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